administration

VH catalogue logo

YGOR BEDMITZ

UNLICENSED LEGAL SERVICES

__________________________________________________________________________________

October 31st, 2017

NOTICE OF ADMINISTRATION                                       

You are hereby informed, this project known as Witch Star (and all its goods) since the above date is under the administration of Ygor Bedmitz Unlicensed Legal Services.

All enquiries should be addressed to the administrator at yellow16@Q7Q7.co.uk

__________________________________________________________________________________

YGOR BEDMITZ, UNLICENSED LEGLAL SERVICES, BRIGHTON, ENGLAND

– an imaginary lawyer for imaginary times –

www.Q7Q7.co.uk

.

Oh well, whatever, never mind

Minutes of a Meeting of The Witch Star Project on Saturday the 1st of April 2017 in Room 17 of The Lemon Tree Guest House in Russell Square, Brighton, BN1 2EE.

Attended by Martin Towers (in the chair) and Triple A.

Apologies for absence from Sean Al-Khwarizmi.


ITEM #38

Surprise, surprise!!! In all the months since this project management committee’s last meeting, not much – in fact, nothing at all – has been achieved. Anton had apparently been under investigation by various bodies for various reasons. Consequently he took an overdose of prescribed medications and spent six weeks in Merrydown Park. He’s now staying with relatives somewhere in Scotland but not answering his phone or replying to texts. So it’s just me (Martin Towers) and Trip constituting today’s meeting. I’m therefore voting to suspend this project and shall be scheduling no further meetings. Trip has however brought to this meeting a number of proposals from Alfie. One of them’s that this project should not be suspended. So, since Trip’s vote (on behalf of Alfie) cancels out mine and I – as of this evening – am resigning from this committee, it’s unclear where matters now stand.


ITEM #39

Otto said he couldn’t help us negotiate with local television or obtain any further information about advertising costs. Also, Trip says, we’ve been banned from Otto’s kebab shop, but we don’t know why.

We had invited Mr Al-Khwarizmi’s nephew Sean to attend this meeting. His secretary sent his apologies for not attending and invited us to read the following item from Sean’s booklet, How to Get into Bed with Television Advertising.

TV or Not TV?

The basic requirements for effective marketing communications remain:

1. A message or goal
2. A defined audience you want to reach.
3. A means of reaching that audience, repeatedly and with minimum wastage.
4. In an environment that suits your purpose.
5. Effective marketing material.

Pre digital, the paid for broadcast and print advertising mediums, TV and press, accounted for the largest proportion of mainstream consumer marketing budgets for a good reason: they met these requirements far better than any alternatives.

Commercial radio, bus shelter posters, billboard posters, cinema and a whole range of others were always secondary. They are still secondary but the difference is that the ‘primary’ mediums of TV and press have now become now secondary too.

Printed newspapers are in decline, perhaps terminal. I might still consume something called the FT or the Times or The Telegraph on a tablet, but I don’t consume the advertising as I would have done in the printed version. Most of it I simply avoid and the rest I can ignore. Now we can get whatever information we need from ‘unbiased’ and free sources on the internet, we don’t need press advertising for product information anymore.

Similarly for TV. In the mid 1970’s there was one terrestrial commercial TV channel in the UK – ITV. Everyone watched it regularly. Now, there are hundreds of commercial TV channels and audiences fragmented across them. But TV’s real problem for marketers is that increasingly, younger people don’t watch it at all anymore, ignoring it in favour of tablets and smart phones that give them access to TV programmes whenever and wherever they want them:

• On screens too small for effective advertising to share.
• Whilst mainly doing something else – going somewhere, being somewhere, talking or texting with someone.

Alternatively, the array of recording boxes now attachable to our TV’s provides the utility of fast forwarding through the messages of anyone foolish enough to advertise in the middle of our choices, stopping only when we get to the last programme sponsorship ident which alerts us to the imminent beginning of our viewing again. This ten seconds of TV which tells us that X programme is sponsored by Y brand thereby paradoxically becomes the most valuable commercial property on TV – its sole purpose, to punctuate the non-commercial content.

So it occurs to me that we’re on our own. We can’t (and probably shouldn’t) be relying on anyone’s help to achieve our project’s objectives. The truth is: We’re a company of fools and losers living on the borders of a civilized world whose polite society strives to avoid our advances. For most of the time we’re simply being ignored. But, when any of those well placed ladies and gentlemen must meet with us, then they’re all ever so polite. And they’ll also make promises. But then (once we’ve left the room, or they’ve made their escape) they’ll again continue ignoring our requests or suggestions, phone calls and messages. So it’s perfectly obvious to me that their politeness was actually a sickening form of passive aggression. And if they weren’t all so well practiced in that politeness then they’d probably all admit to their innermost and honest beliefs that this world would be a far prettier picture with the majority of us losers removed.

However, Trip would like to disassociate himself from those (my own, above) opinions. He says it’s like the song says in that Samsung ad, “You’ve got to give the people what they want”. So – I’d ask – would that be an exploding phone? Apparently not …


ITEM #40

Trip wishes for the following proposal to be considered by this committee.

Trip states that no one but him seems to have noticed that ten shops along the left of Western Road (in the direction of Hove, between Churchill Square and Palmeira Square) have all been abandoned and boarded-up now for at least ten years. And, according to local activist William Bones, seven of those buildings are owned by a property developer who’s waiting to make a big enough profit. Trip adds that two premises are being used as accommodation & workshops for illegal immigrants who are being kept in slavery, producing fake Chanel handbags that one of Trip’s associates has been selling on the corner of Sydney Street in the North Laine; and at least one boarded-up shop is actually being used as a cannabis factory.

So, to take advantage of that aforementioned situation, Trip says he’s applied to a lettings agency to open one of those shops as a temporary -six weeks only- pop-up emporium. And then what he needs to do quickly is attract lots of attention to get lots of people into that shop buying lots of things. And, to that end, he’s going to call his shop ‘Crack Cocaine’ though (to delay any attempt by the police or the council to close his shop before it’s even opened) he’s been spelling that name – on all the application forms – with k’s instead of c’s. This, he says, has produced an added benefit: All the items in his shop can now be labelled ‘Sold by the KKK’. And, if all of that wasn’t going to be so outrageously offensive and attention grabbing enough, when I asked what his shop would be selling, Trip said, “Mostly Jimmy Savile memorabilia: Wigs; autographed posters; DVDs: That sort of thing.” Apparently there are BBC executives who regularly have difficulties when it comes to rebroadcasting old, 1970s episodes of Top of the Pops since it’s not easy to cleanly edit-out appearances by various, infamous paedophile DJ’s and pop stars. For example, there’s a particularly rare episode in which Jimmy Savile is enthusiastically introducing Gary Glitter singing ‘Do you want to be in my gang?’ Trip says he’s ordered two hundred copies of that DVD from an outlet in mainland China.

This committee will consider Trip’s proposal at our next meeting.


ITEM #41

Alfie has put us in touch with his imaginary lawyer, Ygor Bedmitz. So when this committee fails to meet existing commitments, to that service all subsequent considerations could be directed.


ITEM #42

Alfie has pointed out that Joe Fuller, the editor of Latest7 (local TV’s listing magazine – on page three in issue 818, on February 28th, 2017) says it was music to his ears when he heard this year’s Brighton Festival guest artistic director, Kate Tempest arguing that “art should be social and a part of life.”

Alfie says we should get to one of Ms Tempest’s gigs. He says there’s a scheme (called Pay-It-Forward) for people like us who can’t normally afford tickets. He says we need to ask Sharon Watney to access this scheme on our behalf. Unfortunately, it seems Alfie doesn’t know Sharon’s not been visiting us since what happened to his sister, Wendy.

According to Trip, Alfie has lots of other ideas (such as visiting certain Brighton Festival events; producing short films; etc). Unfortunately, we were informed yesterday by a nurse during our thwarted attempt to visit, “Alfie’s not well enough at the moment” to discuss these matters any further.

By the way: Earlier, we were looking at these portraits of Alfie, hanging on the wall in Wendy’s room:

alfie 1 & 2

The one on the left was painted by Timothy Sackville-West in 1985; and the one on the right by Christian S. in 2013. And it seemed to us that Alfie doesn’t appear to have aged much during those intervening years.


ITEM #43

The chairman of this meeting – having been forced by a Welfare Benefits Commission adviser to accept unpaid work as a toilet cleaner – must now leave for his evening shift servicing West Street’s English Language Centre.

.

.

why does it have to have a title? why can’t we just stick it on here with all these other minutes, for f***’s sake?

Minutes of a Meeting of The Witch Star Project on Tuesday the 13th of September 2016 at 96b Portland Gardens, Hove (in Brighton, actually).

Attended by Martin Towers, Aaron Sabbattica, Triple A, Colin Dalglish, Asif Iqbal and William Bones.

Apologies for absence from Iqbal’s cousin.


ITEM #32

See photo of a room with a view posted on August 28th. This was something Wendy had asked for, but we’ll now have to discuss it again when she’s feeling better.


ITEM #33

We’re meeting today in the basement flat of a grand Regency townhouse (in one of those posh squares off Hove seafront).

96b

This is the home of The Satellite Club and of its vice-President, Colin Dalglish. At the moment, Aaron isn’t saying how he and Colin have come to know each other or why Colin should want to help us, but Aaron does say Colin (who’s a retired actor) will be happy to provide a voice-over for our TV advert.


ITEM #34

Further to Item #13, we’ve been given a booklet (written by Mr Al-Khwarizmi’s nephew, Sean) called How to Get into Bed with Television Advertising. This book contains the same advice we were given by Otto Kebab about developing a business plan through the employment of a critical path analysis that describes our goal, and then plots backwards to describe what we’ll need before realising each step. So this is now our Witch Star’s critical path:

(12)  We win a National Lottery jackpot. That’s our goal.
(11)  We found our winning numbers in The Prophecies of Nostradamus.
(10)  Nostradamus translated our message into his prophecies.
(9)  Nostradamus received our message sent back through time.
(8)  Our message (transmitted in a TV ad) travelled back through time.
(7)  A production team was appointed and our TV ad was produced.
(6)  A broadcaster agreed to broadcast our TV ad.
(5)  A commercial sponsor agreed to pay for our TV ad.
(4)  We pitched our idea to potential sponsors.
(3)  We appointed a team to pitch our idea.
(2)  We identified and approached potential project partners.
(1)  We have developed an idea and a business plan.

But Aaron’s saying we don’t need to waste any more time describing our idea because it’s all here in The Terms & Conditions of the Witch Star Project .

wsp

And (he’s also saying) it would also be a waste of time imagining ourselves working with big broadcasters such as ITV or Channel 4. Fortunately, our ad will only need to be broadcast in the Brighton area. Unfortunately Brighton’s local TV channel – Latest TV – still won’t talk to us directly about broadcasting our ad. Consequently – according to How to Get into Bed with Television Advertising – we need to follow the advice presented by Thinkbox (which is the marketing body for commercial television in the UK).

Incidentally, this is one of Thinkbox’s own adverts advertising the power of ads on TV:

According to Thinkbox, we need to take our clearly defined objectives and seek quotes from three recognised advertising agencies. Ideally those agencies should be IPA (Institute of Practitioners in Advertising) members – although, according to the map on the IPA’s website, there’s only one agency listed for the Brighton area: and that’s Designate – an agency specialising in travel, tourism and leisure. However, a Google search suggests some other local agencies including ADMAN (which is led by a marketing consultant called Nick Vowles who used to work at Designate) and Popellernet  (which, we remember, had been advertising on a TV screen in a shop window at the bottom of North Street near to where Triple A had been punched to the ground during this year’s Brighton Festival by a doorman outside the Brighton Palais).

prop

So the idea is to get local businesses to pay us (or an agency) to make adverts for them that will be shown on local TV. What those businesses don’t need to be know is that we’ll have hidden within each ad our string of winning lotto numbers aimed precisely at Nostradamus’s crystal ball.

However – Mr Al-Khwarizmi wanted us to remember, when we’ve watched local TV – we’ve been puzzled by the scarcity of commercials advertising local businesses. In fact, last week, all we saw on local TV was that cheap ad for a local taxi firm and some commercials for a shop selling really expensive vinyl disc players. So why’s that? Surely it’s going to be relatively cheap to advertise on local TV; and much cheaper than on national TV. Isn’t it? And surely local businesses would want to advertise their goods and services on local TV. Wouldn’t they?

According to Thinkbox –

• On average each person sees 45 ads per day on TV.

• Ads on TV are the most talked about kind of advert, with 58% of all the conversations that people have about advertising being about television advertising – compared with just 8% where people might talk about an ad that they’ve seen on a website.

• Each day, commercial television is seen by 71% of the population – and by 98% in a month.

But maybe we’re the only people who watch local television. In fact, apart from us, we can’t find anyone who’ll admit to having watched Latest TV more than once. Iqbal says, “It’s all rubbish. It’s only for the lazy, stay at home student. Every programme is just same music in pubs, or cooking programmes from Newcastle”. And maybe that’s true. Maybe no one in Brighton watches local TV – in which case maybe Latest TV will eventually run out of money and be taken over by the Russians. So, at this point, Aaron’s introducing Mr William Bones to our meeting. William is the General Secretary of the Brighton & Hove Media Watchdog Alliance (TUC affiliated).

William tells us that his research has revealed there are now more than twenty local TV stations in cities around the UK. Initially they were all owned by independent companies. But now, one after another, these companies are being “bought out and sucked up into a newly emerging media empire” called Made TV. So Made TV now owns 25% of the market. And, according to William, Made TV appears -on paper- to be run by an Irishman called James Conway. But its real owners are a couple of mysterious Russian characters called Alexander Volov and Igor Glyanenko – who’ve recently been buying all sorts of stuff around the UK. Consequently, William says he’s worried about the future ownership of local TV in the UK – and he’s showing us this article –

[|]   InVision8     REPORTS & REVIEWS   Concerns re Ownership of Local Television …

– which he says he wrote in 2014 around the time Latest TV were applying to Ofcom for their licence to broadcast.

And Aaron’s saying this will present the perfect opportunity for us all to get involved in a takeover of local TV. From there on we could advertise whatever we like, whenever we like. So yesterday Aaron phoned Companies House in London and they’ve given us an address for the Russians in Dorset. But William says contacting the Russians would not be a good idea.

Aaron’s asking William if he could orchestrate a campaign of propaganda that would persuade Ofcom to revoke Latest TV’s broadcasting licence in favour of our Russian allies.
William says he’s very annoyed and (at this point) leaves our meeting.

We remind Aaron that we’re currently discussing the production and broadcast of an advert. According to our critical path analysis – with or without the help of an advertising agency – we need to find a local business that’s going to sponsor our production. However, Aaron’s saying this puts our pitch the wrong way around. He says we should first make a great looking advert and then pitch that to potential sponsors. He says this is exactly what Alfie’s friend [Timothy Sackville-West] has been doing: Tim’s been making great looking videos that everyone’s talking about. But then, when we ask what these videos are advertising, Aaron replies, “Nothing. But they do look great.”

At this point, Iqbal tells us he’s also very angry. He says he came to this meeting in good faith because Aaron’s been telling him that we’ll be discussing a very important business deal with a local business man [Colin]. But now he [Iqbal] doesn’t believe this is what’s happening here because we’re “all just a gang of sad losers; mad people; and drug addicts”. And so Iqbal’s leaving our meeting – but not before agreeing to a private meeting with Colin next week; and confirming that he [Iqbal] has a cousin who’s a local taxi driver.

Aaron tells us that – from a marketing point of view, in its initial stages – it won’t matter what our ad’s selling so long as it’s grabbing our audience’s attention. All we have to do is make a great looking video containing a few areas of blank green/blue chromakeys that can be utilised later for product placement. Also, there should be some spare seconds at the end of our ad for the addition of our sponsor’s slogan and logo. Aaron gives us this example of an ad by the American director, Spike Jonze, which obviously could have been an advert for anything.

 

Obviously, the quality of our own ad’s going to be less important than the cost of having it broadcast. And, so far, we haven’t been able to obtain that information from Latest TV.

Aaron says Made TV offers to broadcast adverts in Bristol for as little as £15!

Obviously, we need to speak to Otto Laing [Otto Kebab]. We imagine Otto could phone Latest TV and pretend to be interested in advertising his Kosher Kebabs place on local TV. They’ll probably take him seriously because he’s a genuine local businessman. Otto can then find out how much our ad on Latest TV will cost.


ITEM #35

Triple A requests our minutes be amended to correct the impression (given in Item #31.4) that Josephine Oateay was his girlfriend when the truth is they’re just good friends. And, subject to this correction being made, Josephine’s agreed that we can record her singing for one of our projects [See Item #3]. Apparently Miss Oateay’s an art therapist working with Alfie at Merrydown Park.


ITEM #36

Rather than end our meeting at this point, Aaron wants us to consider infiltrating the panel of one hundred people regularly surveyed by the BBC for its quiz show, Pointless. Usually the rules of Pointless ensure that it pays for a contestant to find the most obscure answer to each question: For example, if contestants are asked to Name a country beginning with the letter B and contestant X replies Brasil and contestant Y replies Belize then if – when that panel of one hundred people had been asked the same question – 85 panelists had answered Brasil while only 9 had answered Belize then contestant Y would win those 9 points (and, in Pointless, it’s the contestant with the fewest points who’ll be the winner).

So Aaron thinks he knows one of those panels of one hundred is paid by the BBC to meet and answer questions during Tuesday lunchtimes in the basement theatre of the Art Kane Bar on Eastern Road. And Aaron believes we could persuade them that it might be fun if the most obvious answers to questions were never given. So – for example – if they were asked to Name a Disney character whose initials are M.M. then no one should give Mickey Mouse as an answer.

Eventually, when the actual quiz show’s recorded by the BBC, we’d find a contestant we liked and tell them not to answer with the most obscure answers but with the most obvious because they’ll be the ones that’ll be pointless.

So we’ve voted one in favour of this proposal – but no one else could give a f***!


ITEM #37

Alfie’s writing to say he found this headline in a newspaper:

Top US cryogenic firm denies keeping David Bowie’s head in a freezer.

Yesterday, 26 year old Tom Candice, a night worker at Alcor’s cryonics facility in Scottsdale, Arizona was dismissed after admitting to removing clients’ heads from capsules of liquid nitrogen. Caught on CCTV, this employee (whilst strumming a guitar) can clearly be heard singing, “Hi, David. This is something I wrote yesterday on the bus. I hope you like it.
Although initially reported that Bowie’s body was cremated and his ashes scattered on the Indonesian paradise island of Bali, rumours persist that Bowie’s head wasn’t cremated but removed and transported to Alcor’s cryonics facility in Scottsdale, Arizona.

Alfie’s also enclosing a postcard he’d received from Wendy. She’d apparently mailed this from Scottsdale, Arizona. She’d written, “Hi Bro! I’ve met a guy called Tom. He’s working on an album with David Bowie. How fantastic is that?

 

 

Item 30

Minutes of a Meeting of The Witch Star Project on Thursday the 11th of August 2016 in the downstairs front room of Lemon Tree House in Russell Square, Brighton.

Attended by Martin Towers, Aaron Sabbattica and Sharon Watney.

Apologies for absence from everyone else.


ITEM #30

We’re sorry to hear that Wendy and Nameless Tiffany are unwell. Sharon says we’re not allowed to visit them in hospital. Sharon says the Housing Association will be investigating what happened, and those residents who’ve been using drugs will be evicted. We told Sharon that Wendy had been very upset because she hadn’t been able to contact the film director, Francis Ford Coppola.

At this point Sharon told us she couldn’t stay for the rest of our meeting because there’s other people she has to visit.


ITEM #31

.1   We note how difficult it must have been for Wendy. Further to Item #2, she’d been trying to make contact with the director’s representatives. Wendy told us that, although she’d been directed to the Coppolas’ American Zoetrope café in San Francisco and from there to their winery in California, people on the whole hadn’t been very friendly. However, at the hospital where she’d later stayed in Salt Lake City, there’d been many people who’d seen Quests of the Gallant Knights and they’d all said they’d be very happy to help us if we wrote them. Then Wendy had confessed she’d not come straight home because she’d become very lost in Paris because she’d been unable to locate Modigliani’s grave in the Père Lachaise because the Hébuterne family there were conspiring to have it hidden.

.2   It’s noted that Martin doesn’t agree that Wendy gave permission for Aaron to use her dead cat Bounce’s Facebook page for the purposes of The Witch Star Project – although it’s true that Bounce has been sleeping on Aaron’s bed since Wendy’s been away.

.3   Aaron reports that he’s met on a number of occasions with the famous street artist, Vincent Van Scott outside WHSmith in Churchill Square. Scott’s assured Aaron that he’ll paint our principal film sets in a new Virtual Reality technology once our movie’s funding has been secured.

.4   On Easter Bank Holiday Monday, Martin met with the famous pedagogic artist Katie Storm at the Brunswick Open Mic in Hove. Katie said she’s very interested in our ideas. Katie’s a friend of Triple A’s new girlfriend, Josephine Oateay, the famous opera singer. After Josephine had sung an aria from Simon Heathcliffe’s Rise and Fall of the Third Reich (mentioned in Item #29) Aaron took to the stage to announce we’re raising funds to produce television ads that will send messages back through time to a Sixteenth Century magician called Nostradamus who’s then going to predict our next week’s winning Lotto numbers. But, just before Aaron was planning to invite that Brunswick audience to donate money to our scheme, a woman called Clara stood up and started screaming that Aaron and Triple A were a couple of conmen, and began handing out leaflets that describe The Witch Star Project as a scam. Shortly afterwards, the Open Mic’s organisers asked us to leave. So we went to another Open Mic at the Joker in Preston Circus, and then to another at the Druids in Ditchling Road. But it should be noted here that the problem with Aaron’s presentation is that – long before he’s got to the bit where he’s describing what his project’s all about – Triple A (who’s pretending to be just another member of the audience) gets to his feet, waves a bunch of twenty pound notes around and shouts, “Yes, I’d like to donate one hundred pounds to your very important project.”

So is it any wonder that people think it’s a scam?

.5   Aaron tells us that lawyers representing the artist Tracey Emin have been demanding the removal from our website of that copy of her painting Three Atomic Bombs, 1928 (see Item #17). But it’s pointed out to Aaron that (1) we don’t have a website, (2) the minutes of our meetings are not supposed to be made public, and (3) he’s previously told us that he knows that picture’s not a painting by Tracey Emin because it’s really just a Mother’s Day card from Tesco’s. But Aaron says this is now irrelevant because neither Emin nor Tesco’s will neither confirm nor deny the picture’s provenance. Aaron wouldn’t explain what he meant by that, but he insists we minute here that he’s noticed whenever famous people deny stuff it means lots of money’s involved, and – whatever the outcome – it’s the lawyers on both sides who’ll take home most of that money. And, again, Aaron won’t explain what he means. All he’ll say is that we’re entitled to our share.

.6   Aaron hereby states that what we’ve been looking at here, on this computer, is clearly not a website. He’s further insisting that (by clicking here on this link into something called an internet portal of statistics) it should be obvious that only three viewers – me, him and Alfie – have visited these minutes on this laptop this year.

.7   We’re agreed, Wendy’s been a dedicated Tracey Emin fan, ever since seeing the artist’s Turner Prize exhibits at the Tate on the 27th of November 1999. That was when Wendy’s brother Alfie had kicked his scrunched up ticket stub into the deliberately placed detritus around Emin’s exhibit – her famously unmade bed. And, upon returning to that exhibit, twenty minutes later, Alfie had noticed his own deliberately placed contribution – that scrunched up ticket stub – had been removed.

Although Emin’s infamously messy bed had caused quite a stir at the time, it was another of Emin’s pieces, a video installation called Why I Didn’t Become A Dancer, that had most impressed Wendy. And we clearly remember Wendy telling us that, “When Tracey began dancing at the end of that film, I was so happy for her that I cried.”

 

.8   Apologies for the very late appearance of these minutes. This laptop – Alfie’s MacBook, where our minutes are kept – has been locked away since March by CashConverters, the pawn shop in London Road, close to where Triple A hosts his seminars (on insurance claims & armed robbery) around the Santander ATM .

 

What’s this one called?

Testing, testing. One, two, three.

Okay, this thing’s recording, but how do we know who’s saying what in the minutes unless we say our names before we speak?

Aaron says I – Martin Towers should make notes and add them later to the minutes.

Now Aaron’s asking if anyone wants to see the advert he’s just produced for CrossTown Taxis.

CrossTown Taxis poster

.

So – Good Evening: Tonight’s meeting follows this short message from our sponsors:

.

 

Very good, but, it only contains two numbers: Four zeros and two number twos. How’s that going to help Nostradamus make a winning lotto line out of that?

“No,” says Aaron, “That’s not the ad we’re sending back through time. We haven’t made that ad, yet.”

Aaron then delivers a short speech on television adverting. He tells us the idea of a local television channel might suggest affordable television advertising’s an option for any relatively small business. However – as we know – Brighton’s own television channel’s ad breaks contain mostly the same-old-same-old big glossy ads for all those big and familiar international brands – such as the ones we’re constantly bombarded with by mainstream TV, and from every magazine cover and from every bus shelter poster in town.

However, Brighton’s one exception seems to be that cheaply produced cartoon for the 205 205 taxi company. So, Aaron tells us, with that ad he’s just made for CrossTown Taxi, we’re showing that we too can make an ad that’s just as good, if not better.

Aaron has presented to us the following script for an advert he suggests we could make and have broadcast. This one will contain all the numbers Nostradamus will need to make his prediction for our big win on the National Lottery.

.

________________________________________________________

SCRIPT FOR A TELEVISION AD

.

1. INTERIOR – Upstairs room above a pub in Brighton

It’s an Open Mic night. There’s a woman singing and strumming an acoustic guitar.

In the audience, Mike looks on, appreciatively. He then applauds before passing a folded slip of paper [maybe his phone number] to the singer.

CUT TO

2. EXTERIOR – Outside the pub.

People are leaving the pub. It’s dark and it’s raining. Mike is looking around, obviously disappointed. He takes out his phone. After a couple of attempts that have failed he addresses a group of bystanders.

MIKE

“Does anyone know any taxi numbers?”

.

The bystanders shrug and laugh (in French) and walk away. Mike tries his phone again, but – this time – he’s furiously jabbing at its keypad.

CUT TO

3. CLOSE-UP – Phone screen

Several increasingly wrong and lengthening numbers are being entered then cancelled.

SOUND EFFECT – Lots of various keypad beeps.

MIKE

“No. No No! No, that’s not it! No!”

.

4. CUT TO GRAPHIC – White text on black:

Warning: You can forget your own phone number, but don’t forget ours.

.

FADE IN – The chirpy song from the old, cartoon-style advert.

5. FADE TO – White background, and that old cartoon-style advert’s graphic.

FADE TO

6. EXTERIOR – Outside the pub.

Mike has climbed into the back seat of a cab. He pulls the door closed. We can see his face, looking through that window. Then the cab pulls away.

7. INTERIOR – Back seat of the cab.

We see what Mike sees through this city at night, with all its busy streets and pretty lights framed through a rain pelted window.

FADE OUT

.

END

________________________________________________________

.

Lovely. Now, can we start this meeting?

 

Minutes of a Meeting of The Witch Star Project: on Sunday the 13th of March 2016; in the back room of the Abattoir Arms in Florence Road, Brighton.

Attended by: Martin Towers; Aaron Sabbattica; Simon Heathcliffe and Paul Rodgers.

Apologies for absence from: Wendy Duvall; Nameless Tiffany; and Alfie Dovedale.


ITEM #28

Matters arising; items carried forward; and plans of action.

At this point in our meeting, it was agreed that we would talk about several matters (arising from the previous minutes of our meetings) later in this meeting – but we didn’t, so they’re all carried forward [again] to our next meeting.


ITEM #29

For tonight (in this back room of the Abattoir Arms) an Open Mic event had been scheduled, but its organiser – Tony Warren – is reportedly unwell so it’s been cancelled, which is probably just as well, since we four are the only people in this room.

Aaron had a script for introducing his Witch Star Project (which we’ve agreed to use for the raising of funds for our film project) but he’s not going to show this to anyone until “the time is right”.

Simon introduced himself to our meeting. He played for us a few bars from The Rise and Fall of the Third Reich (an opera he’s written) on his harmonica.

Paul denied that he was the same Paul Rodgers who famously sang Wishing Well. But – since he had brought along his guitar this evening – he agreed to give us a rendition.

 

 

 



 

Minutes in 2015

p1a

This is the situation.

We’re meeting on Tuesday the 13th of January 2015 in Room 17 of The Lemon Tree Guest House in Russell Square, Brighton, BN1 2EE.

I’m Martin Towers and I’m the Chairman of this Meeting because this is my room. Also present are: Wendy Duvall from Room 9 (downstairs) and her baby, Nameless Tiffany; and Aaron Sabbattica from Room 21 (upstairs); and Triple A from various shop doorways in North Street.

Apologies for absence from Wendy’s brother Alfie [get well soon].


ITEM #1  

We’ve all received letters from our new landlord, the John Perrot Trust Housing Association. Wendy’s letter was addressed to her real name, Catherine Dovedale; Aaron’s was addressed to someone called Stephen Morris; and Triple A didn’t get a letter because he doesn’t live here.

We’re informed that the Lemon Tree is being taken over by a housing association (the JP Trust). We’ll all be allowed to continue living here (except Triple A, who doesn’t live here). We must read and sign a ‘tenancy agreement’. Miss Sharon Watney (who’s mine and also Wendy’s community support worker) said she’ll visit tomorrow to answer all our questions. Aaron wants to know if people with drug convictions will be evicted because that’s what it says in the agreement paragraph 14. And Aaron says his eviction would be unfair because he doesn’t have a conviction and people with convictions should be allowed to be rehabilitated.

The JP Trust letter also includes a photocopy of a page from Sky News (from the 27th of December 2014, news.sky.com/story/1397661 – Drug Dealers ‘Cuckooing’ Vulnerable People). It reports drug dealers target vulnerable people with mental health problems and take over their victim’s homes to set up shop. This is called “cuckooing” because it’s like the bird that invades a victim’s nest and then forces her to cooperate.

p1c

Triple A’s asked me to write in these minutes that he’s not a drug dealer and that he and Wendy are getting married.


ITEM #2

Wendy’s shown us a letter from social services that says her baby, Nameless Tiffany might be taken into care because “she is at risk”.

Wendy doesn’t want to get married but says she’d like her baby to have a godfather who’d take care of Nameless Tiffany if she (Wendy) died. So I said I’d be happy to do this. But Aaron says Wendy should consider him for the part. And Triple A says it should be his job because he’s Wendy’s fiancé.

Wendy says she’ll choose just one person to be Godfather. She says her choice will be like Quests of the Gallant Knights where we have to prove which one of us is the best candidate. She’ll also ask her community support worker to be the fourth person on this Quest.

Aaron says if all four of us want to play the part of Nameless Tiffany’s Godfather then we should call ourselves The Godfather Part Four.

So we’ve all agreed that we’ll go on whatever quest Wendy decides; and we’ll write to the film director Francis Ford Coppola (who’s already directed The Godfathers Part One, Two and Three) and ask him if he’d like to make a film about what we’re doing.


ITEM #3

Everyone’s very excited about this idea.

We’re going to set up a business and make films. We could also make television programmes and computer games and get musicians to record music for our films and do live gigs.

We’ve written a list of 53 ideas but Martin and Wendy agree that we can’t make everything at the same time.

We agree that no one’s allowed to vote for more than one idea.

These are the ideas that we’ve voted for and shall make:

(1) A film called The Godfather Part Four
(2) Aaron’s Witch Star Project
(3) A quiz show about shopping channels.


ITEM #4

(a) We can’t agree what to call our film company/TV business. Martin says I think The Godfathers makes us sound like gangsters. Wendy says we should ask Alfie because he’s always got lots of ideas, and Triple A says he’ll ask Alfie about this when he visits him tomorrow.

(b) Triple A wants us to know that all his friends call him Trip.


ITEM #5

Triple A will buy us a VHS camcorder so that we can make our first film tomorrow. The cost will be five 10mg Diazepam blues, paid today in advance. The camcorder will use VHS tape, which we can watch on my TV/video-deck combi. Triple A says the advantage of buying a VHS camera is no-one’s going to steal it because no-one (not even the pawn shops) are buying them.


ITEM #6

Because my analogue television doesn’t have Freeview, we’re now upstairs in Aaron’s room watching Wendy’s cousin on the WTO Shopping Channel – although we’re not interested in today’s Last Chance To Buy summer swimwear shopathon.

We’ve already watched Animals do the Funniest Things on Sky Déjà Vu. It was a repeat. Then we watched some of How Things are Made on Discovery Gold, but Wendy said this was boring – but she was outvoted 3-1. But then she said she’d go back to her room, so we agreed to watch Aaron’s Dom Hemmingway video. Then we watched Pointless (our favourite TV quiz show) on BBC One.

p1d

 

Then we watched You Make It, We Show It! on LTV.

p1f

Triple A says he knows someone who’s sent Bill Smith (the boss of LTV) a film about Life in a Bag on North Street made entirely on an iPhone. However, we have all agreed, we can’t afford to buy an iPhone.


ITEM #7

Wendy’s decided our first Godfather Quest will be to rescue her brother Alfie from Merrydown Park Hospital (where he’s detained under Section 3 of the Mental Health Act). Triple A says he’ll achieve this tomorrow. And good luck with that.

SIGNED:   Martin Towers

_________________

p0Minutes of a Meeting of The Witch Star Project: on Saturday the 14th of March 2015; in Room 17 of Lemon Tree House in Russell Square, Brighton.

Attended by: Project Secretary Martin Towers; Project Director Aaron Sabbattica; Wendy Duvall; and Nameless Tiffany.

Apologies for absence received from: Alfie Dovedale: Sharon Watney: Asif Iqbal: and Otto Laing.


ITEM #9

Item #8 and all the other Minutes from our previous Meetings (apart from those I kept from our first Meeting in January 2015) have been ‘lost’. Aaron says they’re probably somewhere in his room but he can’t find them.

I’ve had an idea! If we think these Minutes are worthless then none of us will care who sees them. Subsequently these Minutes shall be posted on the noticeboard in the lobby downstairs on Sunday morning.

In summary: Since January, this Project has achieved very little.

• Alfie’s still a prisoner at Merrydown Park
• Our script for The Godfather Part Four is unfinished
• Aaron won’t tell us what’s happening with Witch Star because (apparently) “it’s bad luck to talk about an idea before it’s ready”
• We can’t record our quiz show at The Art Kane Bar because the batteries for the camera we bought from Triple A exploded
• Alfie says our ideas for a computer game are rubbish

And Alfie’s band are demanding payments in advance before they’ll record any more music for our movie soundtrack. This is (apparently) because that bunch of losers are no longer being offered gigs – not even in Hove.

p1e


ITEM #10

Wendy says we should put a ‘Thank You’ to Sharon in these Minutes for writing letters to Social Services saying Nameless Tiffany is being well looked after by Wendy and doesn’t need to be taken into care. Wendy says she’s invited Sharon to come along to our meetings but Sharon doesn’t work weekends.


ITEM #11

Although our thanks were noted in Item #10, Wendy says it doesn’t look like a proper “Thank You”. So, to be clear, Wendy wants me to write this properly: THANK YOU SHARON.


ITEM #12

Aaron wants it noted that the police might have confiscated the Minutes mentioned in Item #9. Apparently they took away several documents from his room. Apparently they’re looking for a missing person called Stephen Morris – as many of us will know; and most of us are going to be asked if we’ve ever known a Stephen Morris. And now Aaron wants it minuted: He believes Stephen Morris was consumed by dragon fire then drawn into someone’s lungs as a cloud of smoke before blending with that person’s soul.

p3c


ITEM #13

We had all agreed (it was noted in the lost Minutes) that none of us know much about business – which is why, so far, we haven’t achieved much beyond collecting 777 discarded lotto scratch cards.

Aaron had agreed to politely decline Triple A’s kind offer to be our business manager.

Then we had compiled a list of all the business people we know and had agreed to ask them for advice:

(i) Asif Iqbal is the owner of Iqbal’s Convenience Store on Western Road. Iqbal lets us buy cheap bread and milk from him on Monday afternoons.

Iqbal told us we’ll never make any money from films because we don’t come from Hollywood. Apparently we come from Loserville. He told us only television makes money in this country, because television money comes from advertising.

Iqbal’s offering £100 if we can make an advert for his shop that will be shown on local TV. This advert would have to tell students his shop was ready to deliver cheap booze by taxi 24/7 to any party anywhere in Brighton & Hove.

So Triple A used his iPhone to make an advert for Iqbal’s shop – and Alfie was adding some captions from his laptop. But local TV said they wouldn’t be broadcasting our ad without the say-so of a Miss Heather Boxtop (one of their Sales & Marketing brokers). It seems she wants us to buy one of her tailor-made packages for “scheduling a campaign whilst building brand awareness”. But she wouldn’t say how much one of those packages would cost. She told us we’d first have to meet. But then, the following day, when Heather came to the Lemon Tree, all she’d say was, “I’m sorry. There must have been some mistake.” Then she left. And now she won’t take our calls when we call her office.

(ii) Mr Al-Khwarizmi owns AK News & Tobacco on Western Road.

Mr Al -unlike Iqbal- sells lotto scratch cards. He also sells Gitanes French cigarettes (and, although Wendy doesn’t smoke, she does like to have a packet of Gitanes handy for when she has guests). Wendy says Mr Al is going to lend her a famous book that contains all the wisdom of Persia’s ancient merchants.

(iii) Otto Laing is the owner, manager and head chef of Kosher Kebabs in Western Road.

Otto is the nephew of the Lemon Tree’s former owners – which is why we got a 90% discount on his speciality vegan hot dogs. Otto says he’d be happy to read and give an opinion on our business plan.

We, however, do not have a business plan. Aaron says we don’t need a business plan. And Wendy and Nameless Tiffany are abstaining on this issue.

I’ve told Otto about some of our ideas. And he’s told me that, although he likes them, we should bear in mind that no great ideas will ever be as useful as the simplest of solutions to a difficult problem. And our problem is that we’re living in poverty with heads full of fantasies.

Seeing the look of disappointment on my face – Otto said we should also bear in mind that while an answer to our problems might not be in our fantasies, one might realistically come from our fantasies. He then quoted one of his favourite observations regarding the imagination. This quote comes from the opening line in Mentor Books’ (New York, 1961) Introduction to Joseph Gaer’s The Wandering Jew.

“Men’s minds are ruled as much by fable as by fact, for the unknown is infinitely greater than the known and the imagination is a readier guide than the intellect.”


p3b

– Why’s TV so pink & purple, these days? –

(iv) Although the former owners of the Lemon Tree (Mr & Mrs Rabinovich) are now retired, Mr Rabinovich said he would give our ideas some thought.

Mrs Rabinovich has given us one of Mr Rabinovich’s old red leather-bound accountancy books from the 1970s. She said only its first fifty pages had been used. She said we were more than welcome to use its remaining three hundred and fifteen pages to record our own accounts, while those first fifty pages might teach us how not to run a haberdashery.

(v) The Reverend Stephen Smith (vicar of St Francis) runs a food bank for the poor of this parish. According to Triple A, that makes the vicar a businessman.

Triple A’s been gathering tinned meat from the St Francis food bank to sell as dog food to the homeless in North Street. If the vicar’s willing to help us find someone who can write a business plan then we’ll advise him not to supply Triple A with any more dog food.

(vi) We listed but haven’t yet sought advice from these other six:

• John, the manager of The Art Kane Bar in Eastern Road
• Chris from Classic Axes in Trafalgar Street – which is where Alfie buys and sells his guitars
• Barry, a friend of Alfie’s and the owner of The Day-Glo-Pink Burger Van currently parked in Circus Street
• Mo Kappa from The North Laine’s 777th Junk Emporium – with whom we are currently negotiating the purchase of one large box of assorted re-recordable VHS tapes
Julie (the cleaner on Mondays at the Lemon Tree) who tells us she’s now “self employed”
• And Julie’s friend Elaine, who has the  The Flowerings of Cactus stall in London Road’s Open Market.


ITEM #14

We agree that the money to make our first film will have to come from advertising. And the money to make our adverts will have to come from –

(a) people who’ll pay us to make adverts for their businesses

and/or

(b) half the money we might win from tonight’s National Lottery.

Aaron says he’s discovered Daytime TV charges cornflakes advertisers $2000 per minute to broadcast their ads in New York City and, in the UK, it costs £500 for each thirty second broadcast in areas where less than 50,000 are watching after 11pm. Iqbal, however, does not believe our advert is worth another £500 of his money.

Aaron says he’s written to the astrologer Val Aviv – from whom he recently purchased a horoscope. She presents The Basket Case, which is an arts & crafts show on LTV. Aaron is asking her to ask LTV boss Bill Smith if we can advertise on his channel without having to buy packages to schedule a campaign or build brand awareness.


ITEM #15

Art is what we frame! Our ticket for tonight’s National Lottery draw has been placed in a frame and hung above the gas fire in Wendy’s room. Our title for that particular work of art is ‘The Million Pound Banknote’.

And Wendy’s presenting the following pieces of research she’s been cutting out of the magazines in Dr Shah’s waiting room.

//// People are inspired and enriched when one both changes and adds value to what’s otherwise perceived as trash //// On BBC Television’s Late Review on February 3rd, 2000 – referring to the mass adoption by UK producers of product placement in mainstream entertainment – Germaine Greer declared, “Marketing is our greatest art form//// Apart from drugs, art is the biggest unregulated commodity market in the world and worth an annual $30billion //// A beautiful painting by Klimt was recently bought by the Lauder Fashion Foundation for $135million //// A really rubbish Picasso [according to Alfie] was bought in 1981 for $5million; was resold in 1989 for $47million; and today might be worth over $200million ////


ITEM #16

Wendy’s volunteered to find Francis Ford Coppola’s Hollywood email address.


ITEM #17

Wendy’s showing us two pictures she bought yesterday in London Road’s Open Market for £10 each. Wendy says we can sell one of these to finance our film.

p2a

She thinks Katie Sollohub’s print, Everything and The Kitchen Sink, 2010 [SEE ABOVE] is very pretty, and Tracey Emin’s Three Atomic Bombs, 1928 [SEE BELOW] must be worth a fortune.

p2b


ITEM #18

Aaron says he’s not sure about the Tracey Emin. He’s pretty sure it was a greetings card Wendy bought in Tesco’s on Mother’s Day.

Wendy says she’s not sure about Aaron’s Witch Star Project. She says, “It’s a banana.”


ITEM #19

We haven’t been given another date for our novelty quiz night at the Art Kane Bar.

We need to decide on a name for our quiz. Celebrity Chainsaw Massacre is currently in receipt of two votes. The Unexpected Return of the Spanish Inquisition has two votes.


ITEM #20

Julie (the Lemon Tree’s cleaner on Mondays) wants us to know she was really annoyed to find someone had used glue to paste a Witch Star Project HQ sign in the window next to the front door, downstairs.

Aaron wants us to bear in mind that when Saatchi & Saatchi were the most successful advertising agency in the world, their motto ‘Nothing is Impossible’ was carved into the doorstep of their London headquarters. And he (Aaron) thinks Julie should know he intends to paint our motto ‘Gloria sic et transit van’ across the pavement in Russell Square right outside the Lemon Tree.


ITEM #21

Aaron says everything we might need to know about his project will appear on the internet from midnight tonight (under a Terms & Conditions section of www.777witchstar.com)

SIGNED:   Martin Towers

_________________

p3aMinutes of a Meeting of The Witch Star Project: on Solstice Sunday the 21st of June 2015; in Room 17 of Lemon Tree House, Russell Square, Brighton.

Attended by: Martin Towers; Aaron Sabbattica; Wendy Duvall; and Nameless Tiffany.

Apologies for absence from: Alfie Dovedale.


ITEM #22

We haven’t been having meetings because people can’t find time in their busy lives. So we’ve agreed to hold just four formal meetings per year. These meetings will be in March, June, September and December on an equinox or solstice.


ITEM #23

Aaron and Triple A have our permission to sell limited edition copies of these minutes (including previous and future minutes). All project members will receive an equal share of the profits. We’re informed that copies of previous minutes that were posted and then went missing from the downstairs lobby noticeboard have been sold but, on this occasion – after the deduction of Aaron and Triple A’s expenses – no profits were made.


ITEM #24

We agree to Wendy’s request for a picture of and/or by her and Alfie’s favourite artist Modigliani to appear on the cover of today’s minutes. Wendy says Modigliani and his wife were the archetypal doomed lovers and artists living in poverty in a Parisian attic.

Screen Shot 2016-02-21 at 19.31.47

Wendy wants their story printed from Wikipedia and attached to these minutes.

 


ITEM #25

We voted [with one against and three in favour] that we should write a letter to the JPT Housing Association and to Southern Counties NHS Trust to complain about Brighton Council’s eviction of the homeless people from shop doorways in North Street. We shall ask that these people are given homes by the Trust or hospital beds in Merrydown Park.


ITEM #26

We shall write to our support worker, Sharon to say that we completely understand why she can’t attend our meetings and that we still want her to be our support worker. Sharon has told us that she is supposed to be able to offer each of us two one hour visits per week, but she’s currently covering for a colleague (who’s longterm off sick with stress). So she can only really manage one visit per week. And – Sharon has explained – that one hour is meant to include ten minutes travelling to each visit and five minutes reading and preparing notes (although it’s actually more like fifteen minutes travel, ten minutes of paperwork and she’s always running at least five minutes late from her previous appointment, which means she can only really offer us half an hour each per week).


ITEM #27

Matters arising; items carried forward; and plans of action:

(a) The manager of the Art Kane Bar said he enjoyed our Celebrity Chainsaw Massacre quiz night. Although only two other people in the bar participated, we shall organise another quiz and invite local television’s shopping channel to sponsor our event.

We shall invite all Brighton & Hove pub quiz Question Masters to join our Unexpected Return of the Spanish Inquisition event. This could be filmed for our local TV advert (which would include Witch Star’s secret message to Nostradamus).

Our horoscope from LTV’s Val Aviv suggests September/October would be most auspicious. Martin will investigate whether funding for an event could be raised through ‘crowd sourcing’ (as suggested by our business advisor, Otto the Kebab).

(b) Wendy still hasn’t heard from Francis Ford Coppola. She will go to Hove library next week and send another email. She’s also waiting for a valuation regarding the pictures she bought (see Item #17).

(c) Martin can now only work part time as our Project Secretary. I’ve been ordered by my Welfare & Benefits Officer to attend industrial therapy – a training scheme, to learn how to be an office cleaner – at the St Francis Community Centre for three days per week.

(d) Alfie’s script, For Your Eyes Only, has been sold for an undisclosed quantity of Plumpton Estate wine to a local film producer/cameraman – Timothy Sackville-West – who assures us this film will be made next year. Alfie says it’s entirely possible we could insert one of our messages to Nostradamus into this film, which could then be broadcast on local TV.

(e) Alfie’s told Aaron he’s met someone who’s got an allotment where they’re going to grow barley and junipers for Brighton Gin. Apparently Alfie says we can use those empty wine bottles to bottle his gin, which could then be sold to finance our film.

(f) We shall redouble our efforts to have Alfie released from Merrydown Park.

(g) Our next meeting shall be here, in Room 17 of the Lemon Tree, at 7pm on Wednesday the 23rd of September 2015, which will be the Autumn Equinox.

SIGNED:   Martin Towers

_________________


p1b


 

2015 Minute Credits for artwork near item #

#1 The pointless green cover is based on an illustration by Dana Bartram ♦♦ #1 Looking for the Natural Carrot is a full colour portrait of her budgies by Miss T. Barty-Parti ♦♦ #6 Pointless is a show on BBC TV ♦♦ #6 You Make It, We Show It is a show on Latest TV ♦♦ #9  All About Alfie is an illustration by Christian S. ♦♦ #12 Mom & Dad is a line drawing by Tim Sewell ♦♦ #13  Pink & Purple is everywhere on modern TV ♦♦ #17 Everything and The Kitchen Sink is by Katie Sollohub – www.katiesollohub.co.uk ♦♦ #17 Three Atomic Bombs by Tracey Emin 1928 is a Tesco greetings card by an unidentified artist ♦♦ #22 Those Faces are by – and one is of – Amedeo Modigliani (1884 – 1920) ♦♦ #27 Sunlight Sanity Soap is © VHC 2016.

 

 


 

 

We’re going down the pub

In this pub, Aaron announces, “I’ve borrowed Alfie’s laptop. We can use it to edit our video for the advert.”

Martin suggests that Aaron’s proposal should be raised at a meeting of the Witch Star Project’s management committee. To which Aaron replies that this (right here and right now) is a meeting of the project’s management committee. But then Martin disagrees. He says meetings have to be formally convened, and their minutes need to be recorded.

In the following argument, Aaron indicates that he’s recording everything Martin’s saying on his iPhone – and that this should be a good enough record for anyone’s purposes. But Martin says he doesn’t care about Aaron’s iPhone. And he continues to insist, “We need to have a proper meeting. We haven’t had a proper meeting since June. So nothing’s getting done. It’s just the same old same-old sitting around and doing nothing.”

But Aaron strongly disagrees. “Well,” he says, “That’s just plain mad, Martin: If you think us sitting around having meetings in your room’s achieving something. Well it isn’t. And the reason, Martin … the reason no one comes to any more of your boring, boring meetings is because no one’s interested. Do you understand, Martin? Siting in your room at the Lemon Tree all day’s boring. Well, I’m sorry, but … why can’t we have our meetings here in the pub?”

But Martin points, “Pubs are expensive. And we don’t have any money.”

So Aaron tells Martin, “That’s true. But neither can we afford gas to keep our rooms warm in the Lemon Tree. That’s why we’re in here – because it’s warmer in this pub. And I know what you’re about to say. How would we afford drinks if we’re staying in a pub all night? And, yes: I know: We all remember that night when we were sharing a bottle from the supermarket, and those bouncers in their black satin bomber jackets came over and told us to leave. But that was the Abattoir Arms. And we had Triple A with us. And he was trying to sell them drugs. But then: Then we went to the Green Dragon. Remember? And, in the Green Dragon, they were having an Open Mic night. And they were giving drinks to anyone who’d get up and sing. So Alfie played someone’s guitar; and Wendy sang her song; and we all played those bongos and that giant tambourine, remember? And we had a lot  of fun … Do you remember that?”

“Yes,” says Martin, “I do remember that. And thank you for reminding me. I sometimes forget how much fun we had when Alfie was around.”

“So that’s the plan,” says Aaron, “We’ll start going out to Open Mic Nights. And – also – we could form a pub team … I mean: A Pub Quiz Team. And, you know, the prize for winning teams on Tuesdays at The Grey Horse is fifty quid, and … I think – that would easily be enough for a round or two of drinks.”

“If we won,” says Martin.

“Of course we’ll win,” says Aaron, “I’ve got an iPhone, remember?”

“So?”

“So: Ask me anything you like – and, if I can’t google the right answer in less than three minutes – I’ll buy you a drink. What d’ya say?”

“I’d say that’s cheating.”

“No it’s not,” says Aaron, “None of this is personal, Martin. It’s just business.”

 

And so, at this point, it’s agreed: From now on, all the Minutes of the Meetings of The Witch Star Project shall be written here – in a private internet journal, which means only those with a password (in other words: just the members of this project’s management committee) will be able to read them – on Alfie’s laptop.

“So,” Martin asks, “You’ll be able to put all our minutes from our previous meetings on here, as well? And no one’s going to be able to read them – except for us? Is that right?”

“That’s right,” Aaron replies, “I’ll put all your old minutes on here, tonight.”

And so this is where we’ll be: Right here on witchstar.wordpress.com